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Garry Gross, a fashion photographer for thirty years who was best known for controversial photos of an unclothed ten-year-old Brooke Shields, died on November 30 at his home in Manhattan, reports Dennis Hevesi for the New York Times. Gross, who in recent years had focused his cameras on dogs, died of natural causes, his sister, Linda Gross, said.
Fashion photographer Garry Gross had the idea, back in the freewheeling ’70s, of doing an arty piece about “the woman within the child,” to capture the “flirtatiousness” and “coquettishness” he observed in little girls. He hired an exceptionally lovely Ford model, age ten, and, after obtaining a release from her mother ...
Commercial photographer Garry Gross took the picture in 1975, with the permission of the ten-year-old child’s mother, Teri. After Shields became a star in Louis Malle’s Pretty Baby (1978) and achieved further fame and fortune hawking Calvin Klein jeans, in June 1982 she convinced the Supreme Court of New York to issue an injunction against Gross to prevent him from further sales or ...
The exhibition consists of a single, notorious image: Prince’s rephotographed picture (after an original by Garry Gross) depicting a prepubescent Brooke Shields emerging from a steamy bathtub. The brazen image of little-girl sexuality arouses hostile reactions from former (often feminist) critical supporters. Prince: “I got kicked out of ...
From 1967 to 1990, artist Garry Neill Kennedy served as the president of the Nova Scotia College of Art and Design in Halifax. It was a tenure that in many respects has become the stuff of legend—not only for the radical experiments in the institution and the classroom that Kennedy endorsed, but also because of the pivotal role NSCAD came to play as a far-flung focal point in the rise of ...
Novelist, playwright, and critic Gary Indiana, who gained acclaim in the 1980s for his vinegary and irreverent writing on art in the Village Voice, has died. He was seventy-four.
Just prior to the appearance of that catalogue, a permanent realignment had taken place in Henson’s work. In the ’70s and early ’80s he was known for his black-and-white, mock-candid, quasi daguerreotype images of self-absorbed individuals lost in crowds or striking solitary expressive poses in gloom-shrouded voids.
'Wicked' Star Marissa Bode Condemns 'Aggressive' and 'Very Gross' Comments About Nessarose's Disability: It Is 'Low-Hanging Fruit That Too Many of You Are Comfortable Taking' 3. Lil Wayne Reached Out to Kendrick Lamar Over 'GNX' Bars & Compton Rapper Didn't Respond, Says Joe Budden
In 1967, when The Museum of Modern Art showed photos by Diane Arbus, Garry Winogrand, and Friedlander, the exhibit was called “New Documents”; at the recent MOMA exhibit of 50 of Friedlander’s photos curator John Szarkowski termed the photos “false documents.” Szarkowski’s rhetoric about Friedlander has undergone the corresponding shift from asserting that the work represents a ...
Page detail from Gary Panter’s Jimbo: Adventures in Paradise, 1988 (New York Review Comics, 2021).
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